Tag Archives: H1Z1

Friday Bullet Points about Daybreak, Plans, and Producer’s Letters

Another Friday in July and time for another bullet points post.  I am going to have to go back and check, but July seems to be the most popular month for bullet point posts here.  My guess is based on my having done the “one year ago” section for the month in review post and seeing that I did four of them last July and the fact that this is my fourth one this month.

At least I have been trying to go easy on future me who will have to write that month in review post in a year by keeping them mostly on related topics in a single post.  And this week it is Daybreak.

  • EverQuest Producer’s Letter

There was a producer’s letter for EverQuest and I was pleasantly surprised to find that the team is still sticking to the roadmap format they introduced at the start of the year.

Classic EverQuest

I fully expect companies to do something like that then forget about it in two months and never reference it again.  But here they not only have it front and center, they took the time to put links in the line items so you could go read about the output of a given item.

There honestly wasn’t much in the current producer’s letter that was of interest to me.  Another special rules server is being retired and merged into the Vox server, the designated home for retro refugees.

But coming up in September we’re supposed to get an update to heroic characters… the insta-level option in EverQuest and EverQuest II… so that they will no longer start off at level 85, where they have been for almost a decade at this point.  The update will raise them to start at level 100… which isn’t exactly stellar when the level cap is already 120, but it is something I guess.

Also, there are some hints about the upcoming expansions… which to me mostly confirms that we will be getting the usual annual expansion.  This year will be the 29th in the series.  How many is too many?  I guess we don’t know yet.

  • EverQuest II Producer’s Letter

As with its older sibling, EverQuest II got its own producer’s letter which also stuck to the roadmap from back in January.  There the update was focused on game update 120, called Myths and Monoliths, which is their big mid-year content drop for the current expansion.

The aging second entry, no longer so young compared to the original

There were also some hints about the next expansion, number 19, which we can expect to see by the end of the year if they are sticking to the usual plan… and I don’t see anything to suggest that they are not.

  • LOTRO and Support’s Packs

Lord of the Rings Online also had a producer’s letter, which drew attention to the update 33.1.1 and the adventures of the sons of Elrond, Elladan & Elrohir.

However, their 15th anniversary plans do not include and expansion.  They haven’t been on a solid annual schedule over the life of the game, so I suppose that isn’t a huge surprise.  But they would still like some money from you, so they have introduced Supporter Packs, where you can spend some money on unique cosmetic items along with some LOTRO points.

The packs are $35, $60, and $100, so it is like buying an expansion, just without the content.

I am not the best person to judge the community reaction, but I got the impression “underwhelmed” might be in the ballpark.

Supporter packs, the departure of some staff, and the emergence of a pirate retro server raised the question What is going on? over at Contains Moderate Peril.

  • DDO and Perma-death Again

Dungeons & Dragons Online… I don’t know if they do expansions or producer’s letters frankly.  I haven’t tried to play it in over a decade.  Put I do see news and headlines about it now and then, and it does come under the Daybreak banner, so I might as well add in something about it.

The latest update is the return of the Hardcore League for its sixth season.  This is a perma-death server experience where players compete to complete as much content as possible while staying alive.  Unlike special servers for other Daybreak classic titles, you do not need to be a VIP subscriber in order to join in on the experience.

As an added bonus, season six has some special dangers waiting for players who might have otherwise mastered the routine in the last five runs.

  • PlanetSide 2 goes Under Water

Now I am really out of my depth as what I know about PlanetSide 2 could be written into the margins of a standard trade paperback book without distracting the reader for more than half a page.

But I can read well enough myself to see that they made a big splash with the Surf and Storm update earlier this month which introduced the island continent of Oshur and features under water game play.

Sturm und Drand

Underwater content tends to be one of the few things to disorient me and give me a bit of motion sickness in 3D MMOs, so I am not all that excited about this, but it does indicate that they are carrying on trying new things with the title.  And hey, it might even be stable by the time this post goes live.

  • H1Z1 Has Absolutely Nothing New

I looked to see what was up with DC Universe Online and H1Z1 to see what they had to report and… well, DCUO is an even bigger mystery to me than PlanetSide 2, but I could at least go to the game’s site and see that there were recent news items and updates.

H1Z1 however… the most recent news item on the game’s web site is from October of 2020.

Remember when this was a thing?

So it goes, another bullet point post comes to an end.

Answers to My Questions for 2021

Back at the start of the year I eschewed the usual predictions post and instead went in for a round of questions.  After 2020 I was clearly feeling unprepared to predict anything, though this was not the first time I went down that path.  Now we have hit the middle of December and it is time to see if any of my questions got answers we like.

2020 plus 1

There is a long pattern of me making such posts on the first of the year.

Anyway, let’s get tucked in and see what I can come up with.

What will a return to normalcy bring to the video game industry?

Right off the bat I am going to have to object here to the assumption that we’ve returned to anything like normalcy.  We’re not in 2020 anymore, but we’re not not in 2020 anymore either.  The shadow of that year lay heavily over this one, its poison seeping in.  People who can are still working from home, Covid is still spreading, the economy is still in a bind from the pandemic, and the world still seems to be going to hell at a rapid pace.

Will Shadowlands hold players?

Well, at least we have an easy one here.  The answer is “no.”  There are a few reasons, not the least of which is Blizzard not releasing much in the way of additional content and Blizzard being revealed as a nightmarish Dickensian workhouse of misogyny and intolerance.  Also, maybe “run Torghast every day for the next two years” wasn’t the winning plan that somebody thought it was.

Will Diablo Immortal ship?

Another easy one!  And another “no.”   Wyatt Cheng once asked if we had phones.  Many of us probably have new ones since he asked that question at BlizzCon 2018.  Now does he have a game?  That seems to be a more pertinent question at this point.

Does Blizzard have anything new planned?

Three for three here on the easy questions, with another big “no” on the tally.  Diablo II Resurrected is about as “new” as they got, and they had Vicarious Visions do the remaster of a twenty year old title for that.  It was a good remaster, but it wasn’t new.

Along with that we had Burning Crusade Classic and WoW Classic Season of Mastery, also not new.  Even the solo mode for Hearthstone didn’t feel very new.  I guess their bigger company issues got in the way for some of that, but it still feels like they came into 2021 just winging it and hoping something would come up.  And, honestly, they don’t seem to have much lined up for 2022.  How can such a big studio… more people work on WoW than most MMO studios have total employees… deliver so little?

What does Daybreak under EG7 really portend?

A reverse merger, with Ji Ham now at the helm?  I wouldn’t have called that one.  Otherwise there has been some promises for the future, but the first year really seemed like business as usual for Daybreak… except maybe they didn’t lay so many people off in 2021.  That’s a plus.

Will Norrath continue to boom?

Kinda, maybe, sorta.  As noted above, things were mostly business as usual.  That has generally been good for the Norrath titles, EverQuest and EverQuest II, which get an expansion in November/December and a major content drop in late spring/early summer every year.  So things roll on there.

But when it comes to doing anything new, it is LOTRO they want to put on consoles, DCUO they want to update, and an unannounced Marvel IP MMO that gets all the headlines.  They even keep bringing up H1Z1.  But EverQuest as a franchise?  Any plans for that look to be dead.

What happens with H1Z1?

Nothing.  As I wrote above, EG7 keeps bringing it up when they talk about the important IPs they control.  There is clearly some wishcasting going on about the title returning to the top of the battle royale genre. But actual progress?  There was some mention that they had a few people look into being able to run a build, but otherwise nobody appears to be working H1Z1 in any meaningful way.

At least they stopped renaming it I suppose.

Where is Cold Iron Studios?

Not with Daybreak and EG7, we know that much.  Somewhere between the announcement that Daybreak was purchasing Cold Iron and the launch of their game Aliens: Fireteam Elite, Cold Iron went somewhere else.  Details are hazy, the story is mostly inferred, but Cold Iron never made it into the EG7 stable of studios.

What does ArenaNet do after all the departures?

Pretend nothing has changed and announce an expansion?  This is the problem with bringing up studios and games I do not watch closely.  A bunch of key people left ANet last year, but back in August they announced the End of Dragons, slated for February 2022, so I guess everything is good.  Maybe?  I don’t really know.

Where does CCP go next with New Eden?

Nowhere?  Seriously, after the Triglavian story cycle the company has been been focused on the new player experience and trying to force the in-game economy into a form that they believe is best for the long term survival of the game, ignoring the short term “hey, can you give us something fun?” requests from the players.  Short sheeting the economy isn’t fun.  Even if you don’t care about the economy and mock miners and industrialists who are complaining, you have to admit that there is very little fun in what CCP has been doing for the last year.

Will CCP stop strangling the New Eden economy?

No.  There was a promise over the summer that the end of scarcity was coming.  But the Q4 quadrant, New Dawn: Age of Prosperity, involved very little prosperity.  For every relaxation of the economic restrictions there was some matching nerf to offset things, often hidden behind some oppressive new game mechanic.  CCP said they were listening to feedback, but they mostly slowed their roll a bit (compression will be in 2022 now) and tried re-arranging the deck chairs some (“waste” got renamed to “residue”) as they carried forward with the goal of resetting the economy to some past halcyon state.  I am sure this will end well.

How Will World War Bee End?

The side with the 3:1 numbers advantage got tired and went home.

There are many ways to spin who “won” the war.  PAPI can claim that they forced the Imperium down from four regions to one constellation and destroyed trillions of ISK in ships and structures.  The Imperium can claim that they held out, denied PAPI their stated victory conditions, and in the end destroyed as much in ships and structures as PAPI did.

As for losing the war, that award generally goes to the group that loses their space and has to move elsewhere.  That makes Legacy Coalition, the main instigators of the war under Vily, the losers.  TEST, the leading alliance in Legacy, lost their old space, couldn’t hold their new space, and ended up trying to live as far away from the Imperium as they possibly could.  Brave gets a special mention for losing hardest of all, as not only did they lose their old space and their new space, but now the rest of PAPI is attacking them because Brave sold structures to the Imperium so they could at least asset safety their stuff and get some seed ISK in the bank to carry on.

Really though, the honor of ending the war goes to CCP.  It was already somewhat obvious after the second battle of M2-XFE that their servers were not going to be up to a final mighty battle.  And then CCP made changes to resources and production that made capital ships too valuable to expend freely, so the attackers were limited to subcaps.  In the choice between investing a lot of time and effort in a real blockade of the final Imperium constellation or just going home, they opted to go home.

Will Nintendo announce a remake of Pokemon Diamond & Pearl?

Yes, goddammit, yes they did.  About freaking time.  And it has shipped and there is a copy for me and my daughter under the Christmas tree.  We’ll see how that plays out soon enough.

Will crowd funded MMOs finally find their way?

Ha ha ha ha… no.  I mean, Crowfall went live I think.  I am not sure it will survive, but it shipped.  And they are a stand out in the stable of crowd funded MMOs, which mostly promised things they couldn’t deliver.  Don’t spend money on things that you cannot play today.

Project: Gorgon is the right path, as it was in playable form from the day of the first monetary ask. Camelot Unchained is the wrong path, asking for money, blowing through every promised date ever, and starting a new project before the promised one is even in beta.  And then there is Star Citizen… well, they certainly know how to milk a community.  Star Citizen is a lot of things, but being an actual video game seems to be a few bullets down the list.

Is there anything new possible for MMORPGs?

The metaverse maybe?  That seemed to be the topic for 2021.  I don’t know if it is Raph Koster’s desire to remake the simple days of MUDs in the 90s or Mark Zuckerberg’s dystopian vision of an all controlling metaverse that turns our very desires against us, but I guess either might be something new… at least for MMORPGs.

Oh, and something about crypto and NFTs.  But we’ll probably burst that bubble in 2022.

Will I play anything new this year?

Valheim.  That was a bit of a left field star, but ended up being our main game for about two months earlier this year.  New World showed up and, once the initial chaos settled down, the instance group got into the game.  And then there was Forza Horizon 4 & 5.  Open world driving for the win.  There were a couple of other small titles that were new, but nothing that I invested more than a couple of hours in.

That I played three new games made 2021 a departure from the usual routine.  In 2020 80% of my game time was spent in WoW, WoW Classic, and EVE Online.  The year isn’t over yet, but so far those three titles represent less than 50% of my tracked play time.

Will VR get a killer app this year?

Ha ha ha ha… no.  VR will remain a niche so long as it requires a real world obscuring mask strapped to your face… oh, and the motion sickness issue gets addressed.  Ready Player One and Zuckerberg’s idea that we’re all going to live in his ad laden VR metaverse hell is a pipe dream.

Will the industry be smart enough to keep regulators away?

Not really.  The industry’s best defense so far has been regulators being interested in other things to further their own interests.  It has to be a slow news day for lockboxes to make the headlines of late, so politicians and regulators have mostly been busy elsewhere.   Except for Blizzard.   Yeah, Blizzard is having some regulatory issues, though not over lockboxes and that sort of thing, just mundane things like running a hostile, discriminatory work place.  The usual corporate thing.

But the industry keeps on trying to get the government to come down on them hard, with cryto and NFTs on their list of things to try next.

Will We lose Section 230 Protection?

Not yet, though Facebook seems to be pushing to have that taken away, because they have the money and the staffing to deal with any new regulations which would help them cement their place in creating our dystopian future… and present… and recent past.

What will I do when the blog turns 15?

Write a post about it.  That is my answer for most things I suppose.

So that was the list for 2021.  As those were just questions rather than predictions there is no score.

I think I’ll be able to warm up to doing some predictions for 2022.  I have a couple of weeks to get on it.  But first I need to make a 2022 graphic.

Enad Global 7 gives some Insight into Future Plans with its Q3 2021 Investor Presentation

Enad Global 7 dropped their Q3 2021 earnings announcement and report on Thursday.

Enad Global 7

I don’t know if things have changed at the company since Ji Ham was put in charge, but Daybreak does seem to be at the center of things at the company.  There is even a chart that puts the watchful eye of the Daybreak logo in a position that can’t help but draw attention to the size of its influence at the company.

None dare meet its terrible gaze

I realize that image is just to show all the things various groups in the company touch, but they could have made a chart that didn’t highlight an oversize Daybreak logo in a circle of light relative to the other parts of the company, but they chose to all the same.  And, in so choosing, it is hard not to read something into it.

Still, if we are getting what turns out to be Daybreak 2.0, at least it is a publicly held version of the company so they have to show up and tell investors and the general public what is going on four times a year.  That would be about four more times a year than privately held version did.

And a Swedish public company.  I guess we have to remember that.  Because if a US company dropped a major announcement on Thanksgiving Day, one would automatically assume a desire to hide something.  But it was just another chilly autumn Thursday in Stockholm.

On the financial side of things the company is very big on showing how much better it did on the revenue front when compare to Q3 2020, with numbers growing over 400%.  This was, of course, before several key acquisitions, including Daybreak, so we’re seeing one of the quirks of corporate accounting where an asset acquired is assumed to be worth exactly what you paid for it… that being how value is determined in the market… so buying Daybreak was a wash and all their revenue is an automatic bonus.

The company continues to emphasize many of the Daybreak brands in the report:

  • Key first party brands include:
    • EverQuest, considered to be one of the three most iconic fantasy MMO brands in the
      world together with World of Warcraft and Ultima Online.
    • H1Z1, the very first battle royale game that was credited as one of the inspirations
      for Fortnite, with over 40 million life-to-date (LTD) registrations.
    • Big Blue Bubble’s My Singing Monsters, which has over 82 million LTD registrations
      on mobile and now expanding to PC and console.
  • Top tier global third party brands:
    • DC Comics from Warner Brothers with continuing pipeline of content from
      blockbuster feature films and TV shows.
    • The Lord of the Rings, arguably the most iconic classic fantasy IP, primed for
      resurgence with the new Amazon series on its way.
    • The Dungeons & Dragons from Wizards of the Coast, with a world-wide passionate
      fan base and a new feature film on its way.
    • 4game’s third party brands, including Lineage, Black Desert Online, Blade and Soul
      and more.

EverQuest is certainly iconic for those who pay attention to the MMORPG genre, though as a brand it does fall pretty squarely into the realm of “what have you done with it lately?”  The two titles in that brand are still modestly active and get updates, but both also show their age.

And then there is the ongoing wish-casting about H1Z1.  I mean sure, not only did it inspire Fortnite, the guy who led PUBG worked on H1Z1 as well.  But that is all in the past for a brand that by their own accounts nobody is working on.  It is a bit like General Motors reminding us of the Pontiac or Oldsmobile brand because they still sell repair parts for the otherwise discontinues lines.

While the financials are fine, they are a bit boring, because the company is simply doing okay.  Q3 is dull for Daybreak because “summer,” but Q4 will see a big boost with expansions being shipped at players returning to the game. Overall they aren’t setting anything on fire, including themselves, so bravo to them, but the future is where promises lay.  And in the presentation they have a few explicit looks into their plan.

In the near term, which is between now and the end of 2022, the company has the following lined up.

EG7 Q3 2021 slide 17

Not a lot there for Daybreak fans, and I honestly have no insight into My Singing Monsters, but some things are in the queue beside the business as usual updates for current products.

Past that, into what they refer to as the Medium-term, things are a bit more interesting for those of us on the Daybreak desk.

EG7 Q3 2021 slide 17

Medium term isn’t defined, but since they have a column dedicated to 2022, I think it is safe to assume that this means past 2022, so perhaps things that might come to fruition in 2023 or 2024.

First up is LOTRO.  I am not sure where they get that top ten ranking metric, but LOTRO does stand out in many way and it is arguably both the biggest and truest simulation of the works.

But here they double down on one of the early promises of the Daybreak acquisition, a revamp to upgrade visuals, a modernization of the experience, and a release on consoles.  And I guess the medium term time frame may be viable for all of that, though I would push the very end of 2024 as the earliest we might see results.  The problem with an old title with many expansions is the extent of the visuals that need to be upgraded.  There is simply a lot of manual effort that will need to go into that and even if they are ramping up staff right now… and SSG has job openings listed… it will be a long march to get there.

And then there is the console plan, something I dismissed back when they first announced it eleven months back.  It seemed wishful thinking.  But if it is still in the plan, that too feels like a huge project.  Not only do visuals need to be upgraded to work on current generation consoles, but the UI of the game… which people have been complaining about since day one as being sub-par for the genre… will need to be completely redone from scratch.

It honestly feels like they will need to branch the game, that they will need to split off and have Legacy LOTRO with a small caretaker team to keep it going, then focus efforts on what I will call LOTRO Next, where most of the work on the game will happen, which will yield a better looking, but very different version of the game.

That is my prediction anyway.  We shall see if we get another expansion for Legacy LOTRO or if work gets aimed elsewhere.

Then there is DC Universe Online, the “one and only” superhero MMO, so forget about Champions Online or all those attempts to remake City of Heroes, they are all illusory.

DCUO is big on consoles, and was at one point the biggest revenue free to play title on PlayStation.  So investing in it, to bring it up to the standards of the current generation, seems like a good plan.  And they even mark 2023 as a point for upgrades and a big content update.  Also, if you were going to make another superhero title, say one based on the Marvel IP, then it would be good to have an up to date engine and platform with which to work.

And, finally in the medium term, there is Minimal Effect.  Sounds fun.  I’d give it a try.

After that we get to the “Longer Term” plans.

EG7 Q3 2021 slide 17

I am going to guess that longer term means past 2024, so a few years down the road.  In software that is often so far away and subject to so much change that it is generally regarded as tenuous at best.  Roadmaps are often fluid past a certain point and no company promise beyond the six month mark can be counted on.  But you have to at least have a plan.

The two shooters, IGI Origins and 83, don’t interest me, and certainly not if we’re talking about titles three or more years out, but then there is the “Unannounced MMORPG” which, if it is in your slide deck and you’re telling us the IP on which it will be based, is kind of announced.

Dimensional Ink’s Unannounced Project has a logo of sorts

I have said a few times since the EG7 acquisition of Daybreak that this will be the Marvel IP version of DC Universe Online.  I mean, why wouldn’t it be?  DCUO is already the most played title in the Daybreak lineup, it is popular on consoles, it is getting an upgrade to make it look good/play good on current generation consoles, this seems like a gimme.

Sure, what I keep referring to as Marvel Universe Online probably won’t be called exactly that, and it will get some tuning and some differentiation so it won’t feel like a complete knock-off reskin of DCUO… that could go very badly if done in a cheap way… but I remain very firm in my belief that it will be, at its core, a sibling, if not a twin, to the one and only superhero MMO.  Dimensional Ink, the Daybreak studio that does DCUO has a placeholder on its site for this new title and has job listing for it as well.

Anyway, those are my immediate take away thoughts from the Q3 2021 presentation.  There is a lot more in there, but I don’t want to write a book.  Links to the sources and other coverage below.

Related:

Ji Ham Speaks about Enad Global 7

I am finally catching up on things that happened a month ago at this point.  In this case there was a change at Enad Global 7 that saw Ji Ham, who was heading up Daybreak, become the acting CEO of the company, displacing the well liked Robin Flodin.

Enad Global 7

This led to an interview with Ji Ham, posted to YouTube, where most of us not only saw him for the first time, but heard his voice for the first time as well… which is a bit odd for somebody who has been CEO of a video game company for six years, but hardly the most unusual thing about the Daybreak era.

So I finally sat down and watched the video.

I haven’t seen much written about the video, and that which I did see dismissed it as a whole lot of nothing.

And, I will attest, if you were expecting some detailed information about the company, its operations, or its games, there wasn’t much to chew on.

That said, the 27 minute video was not completely devoid of information.

Ji Ham’s ascension to the CEO role, which was again stressed as an acting position and that he will not be moving to Stockholm, was attributed to the change in the business model that EG7 is now pursuing.  Having grown through acquisition, the company now has a number of live products generating substantial revenue, meaning a different outlook may have been needed in the leadership position.

There was no mention of Robin Flodin’s interview gaffe, so the party line is apparently this was planned and completely normal.

But, while live games are now part of the mix, the company is still seeking more acquisitions to fill what it sees as holes in its offerings or that would fit well within their portfolio.

I have mentioned in the past that growth through acquisitions is a popular choice for publicly held companies as any asset they buy is always assumed to be worth what they paid for it so there is no hit against margins; writing your own code costs, buying somebody else’s’ code is a wash.

No acquisition targets were mentioned, but I suspect that if you looked at what is missing from their current ecosystem that keeps them from being self-contained you might at least come up with some potential segments.

Which isn’t to say that they are giving up on developing their own titles.  Once again a triple-A title was mentioned, but no specifics were given.  However, I think some of us just assume it is going to be a Marvel version of DC Universe Online.  We shall see.

Long time followers of Daybreak will no doubt be amused that Ji Ham said both that communication from the company had been lacking and that titles in their portfolio had not seen much in the way of investment during the Daybreak era, something EG7 would like to rectify.  Whose fault might that be?

I guess at least he didn’t blame it on Smed.

Acknowledging that the Daybreak portfolio was old… most of the titles are over a decade old, with H1Z1 being the young one in the bunch, having only passed the six year mark back in February… one wonders where they might throw some resources.

He did mention two titles specifically when it came to targets for investment, DC Universe Online and Lord of the Rings Online.

DCUO is the most popular title in the Daybreak lineup, claiming more than 400K monthly active users last year and bringing in more total revenue than any of its siblings according to last December’s reveal. (Though EverQuest still beat it for net earnings.)

DCUO has a lot of players on consoles, and was at one time the top earning free to play title on PlayStation, so worth keeping up to date.  One of the investments it needs is to get it onto the latest generation XBox and PlayStation 5 hardware.   Also, it would totally make sense to invest in it if you were going to make a Marvel version of the game.

As for LOTRO, it was singled out because, in his words, it is the only Tolkien online world currently available.  True enough, that statement.  The problem is that I am not sure EG7 has the resources available to make LOTRO into a viable, competitive title fourteen years down the road.  While the world is beautiful in game, character models, responsiveness, and the general interface was poor relative to the standards of the industry in 2007.  While there have been a few graphical upgrades over the years, the UI and the character models are still garbage and all the more so on any monitor over 1920×1080 in resolution.  And that leaves aside the layers of monetization piled onto the game, where every dialog wants to sell you a short cut to get around whatever effort game play asks of you.

There is no financially viable road forward that fixes all of its fundamental issues… and I am not even going to go into garbage mechanics like legendary items, which they’re kind of hand waving a fix for because they can’t get rid of it as the grind is so horrible that it likely leads more players to the cash shop than anything else… when it made maybe $15 million tops last year.

I know, that sounds like a lot of money.  But Tolkien Enterprises gets their cut right off the top I bet, then there are the servers and infrastructure to maintain and keep up to date, and the staff needed to keep things going as they are, and then the amount needed to keep Jason Epstein and Ji Ham in the lifestyles to which they have become accustomed.  And now the whole thing is owned by a public company, so the pressure to earn is even higher.  The time to invest and fix things is when you’re private and can get away with a few quarters of loss without the market calling for your head.

I’ve spent a lot of time with LOTRO and cherish those memories, but the wide appeal of its theme is held back by the raggedly old mechanics of the title.  Such is life.

Not mentioned, much to my surprise, was H1Z1.  Robin Floodin used to bring up H1Z1 every time he spoke about the titles that EG7 held, promising its player base that they were looking to revive the title.  I guess it is the newest title in the bunch and, for a brief stretch, was the flagship battle royale title, a position in managed to squander and is unlikely ever to recover. (NerdSlayer has a new Death of a Game video about H1Z1 that covers all the main fumbles.)

But perhaps Ji Ham, who was the CEO when H1Z1 flailed, flamed out, and ceased to be a force in the market, knows better than most what its value now is.

Anyway, those are the bits that stuck out for me.  There was more in the interview, including a caution on earnings, but I was mostly interested in the product related side of things.  The YouTube page has bookmarks in the description that divide up the whole thing into the various topics discussed.

The next thing we hear from EG7 is likely to be Q3 earning in about a month.

EG7 Will Consolidate MMOs onto 4Games Platform, Hints at New MMO Title

Enad Global 7 did a live video presentation for their Q1 2021 results.

Enad Global 7

Highlights from the presentation:

  • Highest revenue and profit in the history of the company
  • Live games, including the Daybreak titles, made up 50% of their revenue, with recurring revenue items making up 80% of the total
  • There are plans to consolidate all their titles to the Innova 4Games platform, which currently handles some of their European licensed IPs; this includes all of the Daybreak titles
  • Acquisitions will continue
  • There is a new AAA MMO in the works based on “one of the greatest brands in the world”

You can watch the replay of the presentation on YouTube:

There is also a PDF of the presentation available at the EG7 investor relations site here.

Related:

Some Words from EG7 about Daybreak Plans

Hello All !! We’ve had lot’s of questions and interest from fans and communities on the future of the games under Daybreak after the EG7 acquisition. We’ll have a community focused update later in April. In this we will shed some light on our vision for the games going forward.

Enad Global 7 tweet, April 2, 2021

The rather jaded part of me that has followed SOE and Daybreak for years was eager to snark that EG7 was following along in the grand tradition of the past companies by delivering their promised update at the last minute on a Friday afternoon.  Low expectations met.

Enad Global 7

And my initial skepticism was reinforced by the letter to the community from EG7 founder and CEO Robin Flodin, which was posted on the Daybreak site.  It is short, upbeat, and empty of any but the most blandly vague statements about the company.  It feels like boilerplate that could have been posted four months ago.  I won’t bother reprinting it here as it was so nebulous I fear it might blow away in a stiff breeze, leaving an empty space in the middle of the post.

But there was also a 14 minute video linked in small print at the end of the statement that does have some more meat to it.

The video starts with some background about Robin Flodin and EG7, then actually gets into some meaty information about H1Z1.

The PC side of H1Z1 doesn’t have a team working on it, which explains much… like why, when Daybreak introduced their new studios, that title seemed left out in the cold.  EG7 put together a team to examine and asses the game, which took them a while.  I can attest that taking over somebody else’s code base is a sure fire way to get most devs to start talking about the whole thing being easier to re-make from scratch.  They have builds of H1Z1 and Just Survive running, which is a not a trivial achievement.  Devs start muttering about starting over for a reason.  They are now evaluating where to take these titles.

While there was no news and no plan announced beyond that, Flodin did acknowledge that a lot of fans were asking for older mechanics and a return of Just Survive and they were assessing how to get there.  He also noted that the game had been previously handed off to another team unsuccessfully, the whole NantWorks fiasco that ended with the PC version of the game being handed back to Daybreak.

For other titles in the Daybreak stable, including LOTRO and DDO, he said that, at the corporate level, they were looking for ways to help the various teams/studios work on long standing issues… the idea of Daybreak is starting to seem a bit superfluous as anything beyond a historical reference in a world where EG7 is working directly with the dev groups… but the teams themselves are handling the directions the games are headed. Hrmmm…

He did say that the HQ was listening to fan feedback, but I don think EG7 is going to save us from LOTRO legendary item grinds and other things the SSG dev team is completely invested in, but maybe they’ll push the team towards large screen support or UI scaling.

Overall the video was a solid performance.  Flodin came off well and, even though he didn’t have many answers or specific plans to share, I came away with a positive impression.  It laid some groundwork, gave us a few concrete details, but didn’t make any promises that we would later use against them.  I’m still not betting completely against EG7 turning into Gamigo once they hit some critical mass of studios and games, but for the moment I am feeling okay.  I mean, at least he didn’t go on about synergy.

Other Coverage:

A Timeline of SOE and Daybreak Games

We are entering a new era for the games of Daybreak which made me think it might be a good time to review the story so far.  We’re around the 25 year mark for when the seeds of the company were planted and, with the Enad Global 7 purchase, the time seems ripe.

  • The House that EverQuest Built

First there was EverQuest.

Firiona and friends at launch, 1999

At some point around 1996 John Smedley, working at Sony, managed to get Brad McQuaid, Steve Clover, Bill Trost, and a host of others together to create a 3D online multiplayer fantasy game loosely (or not so loosely in places) based off of Sojourn MUD / TorilMUD.

Launched on March 16, 1999, a variety of Sony organizational names were connected to the game at different times including Sony Interactive Studios America, Verant Interactive, 989 Studios, Sony Computer Entertainment America, Sony Pictures, and Sony Online Entertainment.  My original disk and manual both display the 989 Studios logo prominently and names a couple others in the fine print.  As I mentioned in my 20 year anniversary reflections post about EverQuest, one magazine referred to the company running the game as Sony, Verant, and 989 in different parts of the same issue.  It was a confusing time.

Clarity came eventually though when EverQuest exceeded all expectations for success.  That was a bit of a surprise.  March of 1999 pre-dates the age of influencers and social media.  The internet wasn’t seen as a serious news source, though Matt Drudge breaking the Clinton/Lewinsky scandal had at least made a few start paying attention.  But a lot of us were still getting our gaming news via glossy monthly magazines where full page ads at the covers were the best way to gain attention.

I don’t recall any such ads for the game back in early 1999.  I only knew about the game because almost everybody then active on TorilMUD got invited to beta, usually by Brad McQuaid’s Aradune character in game.  I declined the beta invite, but came for the opening.

Not only were ads scarce, there wasn’t a lot of background to draw attention to the game.  Compare that to what most see as its direct competitor of the era, Ultima Online.  The Ultima franchise had been rolling along for more that 15 years when UO launched in late 1997.  The series spawned a studio, Origin Systems, that created other well known games.  And then there was Lord British, who ended up living in a castle and going into space on the proceeds of his Ultima empire.  UO had the fame, reputation, and lineage that EQ lacked.

And yet, at their respective peaks, EQ would have more than double UO’s subscribers.

EQ seemed to spread by word of mouth.  After buying it at Fry’s on my way home from work on launch day, I came into the office and told a bunch of people about it.  They all went out and bought copies and we ended up playing together.  And they told people and I told more people and others who played told people and soon the people I was telling already knew about it and there was a song “Has anybody seem my corpse?” being passed around and the whole thing had become something of a minor social phenomena.

And its success cemented the idea of online gaming at Sony so that the plethora of names was eventually pared down to Sony Online Entertainment.  25 years down the road from Smed collecting a team to get the ball rolling, this is all still the house that EverQuest built.

  • A Timeline of Events

This is not an exhaustive list, and I am not going to try to piece together things that came before March 16, 1999 or betas for various games.  Early access though, that is another story. I am also going to try not to editorialize, which won’t be easy for me.  If I have missed anything important, drop me a note or a comment and I’ll update the post.

  • 1999
    • Mar 16 – EverQuest launches with a base monthly subscription is $9.89 a month; servers are quickly overloaded and a long series of new servers kicks off
    • Jul 28 – MMORTS Sovereign announced
  • 2000
    • Apr 24 – The Ruins of Kunark, the first EverQuest expansion, launches
    • Oct 5 – SOE acquires Infantry
    • Dec 5 – The Scars of Velious, EQ expansion #2
  • 2001
    • Apr 17 – Cosmic Rift launches
    • Dec 4 – The Shadows of Luclin, EQ expansion #3
  • 2002
    • Apr 25 -The subscription rate for EverQuest increased to $12.95
    • Oct 29 – The Planes of Power, EQ expansion #4
  • 2003
    • Feb 11 – Sovereign MMORTS officially cancelled
    • Feb 11 – EverQuest Online Adventures launches on PlayStation 2
    • Feb 25 – The Legacy of Ykesha, EQ expansion #5
    • May 20 – PlanetSide launches
    • Jun 24 – EverQuest Macintosh Edition launches
    • Jun 26 – Star Wars Galaxies launches
    • Sep 9 – Lost Dungeons of Norrath, EQ expansion #6
    • Nov – Star Chamber: The Harbinger Saga launches
    • Nov 17 – EverQuest Online Adventures: Frontiers expansion launches
    • Dec 1 – Lords of EverQuest, a single player Windows RTS, launches
  • 2004
    • Feb 10 – Gates of Discord, EQ expansion #7
    • Feb 10 – Champions of Norrath launches on PlayStation 2
    • Mar – EverQuest subscribers hit a peak of 550K
    • Sep 14 – Omens of War, EQ expansion #8
    • Oct 27 – SWG Jump to Lightspeed expansion
    • Nov 8 – EverQuest II launches
    • Nov 12 – A second round of EQII servers are launched to absorb the surge of new players
    • Nov – SOE introduces the Station Access plan that gives players a combined subscription to EQ, EQII, and Planetside for $22 a month
    • Nov – EQII subscribers who opt for Station Access get two extra character slots on their account and access to the EQII Players stats page
    • Dec – EQII is down for almost two days as an update breaks the live servers
  • 2005
    • Jan – SOE Announces SWG is being added to Station Access
    • Feb 7 – Champions: Return to Arms is launched on PlayStation 2
    • Feb 8 – EQ server consolidation starts with the four PvP servers being combined into the single Zek server
    • Feb 15 – Dragons of Norrath, EQ expansion #9
    • Feb 17 – SOE temporarily adds the /pizza command to EverQuest II as a cross promotion with Pizza Hut allowing players to order a pizza from within the game
    • Mar 21 – The Bloodline Chronicles, the first EQII adventure pack launches
    • Mar 22 – Untold Legends: Brotherhood of the Blade, a PSP title, launches
    • Apr – SOE begins a series of EQ server merges to bolster the populations, which runs on until the end of June
    • Apr – EverQuest II – East, developed for China, Taiwan, and South Korea, launches
    • May 5 – SWG Rage of the Wookies expansion launches
    • Jun 28 – The Splitpaw Saga, the second EQII adventure pack launches
    • Jul 20 – EQII gets new servers, Shadowhaven, The Bazaar, and The Vox PvP under the Station Exchange program, which allows players to sell in-game items for real world money; players are allowed to transfer characters there from other live servers
    • Aug 15 – SOE takes over operation of The Matrix Online
    • Sep 13 – Depths of Darkhollow, EQ expansion #10
    • Sep 13 – Desert of Flames, the first EQII expansion
    • Nov 1 – SWG Trials of Obi-wan expansion launches
    • Nov 8 – SWG New Game Enhancements update lands, changing character progression
    • Nov 9 – The “SOGA” character models from EverQuest II – East become an available option in EverQuest II
  • 2006
    • Jan – SOE announces they will be merging 10 low population EQII servers into 10 medium population servers because players are “too spread out” on the low population servers.
    • Feb 17 – Shadowhaven Station Exchange server is merged into The Bazaar server
    • Feb 21 – Prophecy of RoEQ expansion #11
    • Feb 21 – Kingdom of Sky, EQII expansion #2
    • Mar 28 – Untold Legends: The Warrior’s Code, a PSP title, launches
    • Mar 29 – EverQuest II – East is shut down, with all Chinese accounts transferred to the Mistmoore server, all Taiwanese accounts to the Najena server, and all Korean accounts to the Unrest server
    • Jun – EQ launches the first progression servers for the game, The Combine and The Sleeper, which let players play though all of the game expansions in order
    • Jun 14 – The Fallen Dynasty, the third EQII adventure pack launches
    • Sep 19, The Serpent’s Spine, EQ expansion #12
    • Nov 13 – Echoes of Faydwer, EQII expansion #3
    • Nov 15 – Untold Legends: Dark Kingdom, a PSP title, launches
  • 2007
    • Jan 30 – Vanguard: Saga of Heroes launches with SOE as publisher
    • Feb 13 – The Buried Sea, EQ expansion #13
    • May 9 – Legends of Norrath collectible card game is launched, running within EQ and EQII
    • May 15 – SOE takes over operations for Vanguard: Saga of Heroes
    • Mar 21 – The Sleeper EQ progression server is merged into The Combine server
    • Apr 30 – The EQII Darathar– UK PvP, Gorenaire– FR PvP, and Talendor– DE PvP servers are merged into the Venekor – RP PvP server
    • Jul 11 – The Agency is announced
    • Jul 19 – EQuinox, the official print magazine of EverQuest II is announced with issue #1 featuring Rise of Kunark information and beta access
    • Oct – Station Access pricing peaks at $30 a month for subscription access to all SOE titles including The Matrix Online and Vanguard: Saga of Heroes
    • Nov 13 – Secrets of Faydwer, EQ expansion #14
    • Nov 13 – Rise of Kunark – EQII expansion #4
    • Dec – SOE is caught after moving the level 60 Unholy Trinity guild off of the test server to a live server, an action against stated company policy and not something ever made available to the average player, causing a fierce reaction from players
    • Dec – A false rumor spreads that Zapak Digital Entertainment is planning to purchase SOE and its games for $300 million, an amount close to what the company will sell for in December of 2020
  • 2008
    • Jan 22 – Pirates of the Burning Sea launches with SOE as publisher
    • Feb 14 – EQuinox issue #2 is announced, featuring Legends of Norrath cards
    • Apr 16 – LiveGamer is brought in to run financial transaction for the Station Exchange RMT servers The Bazaar and The Vox PvP
    • ~Sep – EQuinox issue #3 is cancelled and the magazine idea is scrapped
    • Oct 21 – Seeds of Destruction, EQ expansion #15
    • Oct 24 – The EQII Venekor– RP PvP is merged into the Nagefen, the final remaining PvP server
    • Nov 18 – The Shadow Odyssey, EQII expansion #5
    • Dec – SOE introduces Station Cash, a virtual currency, and an in-game cash shop in EQ and EQII
  • 2009
    • Jan 23 – SOE games become available on Steam starting with EverQuest and EverQuest II
    • Apr 28 – Free Realms launches
    • Jul 31 – The Matrix Online is shut down
    • Dec 15 – Underfoot, EQ expansion #16
  • 2010
    • Feb 16 – Sentinal’s Fate, EQII expansion #6
    • Mar 4 – The Combine EQ progression server is merged into the Druzzil Ro live server, ending the first retro server run for the company
    • Apr – SOE tries a new EQII Passport subscription plan where for just $5.00 a month you can play for three consecutive days during a single month
    • May 5 – SOE announces The Agency: Covert Ops, a free to play title on Facebook
    • Jun 10 – Tanarus, a title that predated EverQuest was shut down
    • Jun 22 – EQ server merges come again, paring down the server count by ten as low population servers are merged into more populated ones
    • Jul – EverQuest II Extended, a free to play version of EQII launches
    • Aug – Plans for EverQuest Next announced at FanFest
    • Sep 15 – Star Wars: The Clone Wars Adventures launches
    • Oct 12 – House of Thule, EQ expansion #17
  • 2011
    • Jan 11 – DC Universe Online launches on Windows and PlayStation 3
    • Feb 15 – The Fippy Darkpaw EQ time locked progression server launches, with the Vulak’Aerr server being added soon thereafter to handle the crush of players (I have a whole timeline for those servers)
    • Feb 22 – Destiny of Velious, EQII expansion #7
    • Mar 31 – The Agency is officially cancelled
    • Apr – Flying mounts introduced into EQII
    • May – SOE games are down for almost two weeks as part of the PlayStation Network security breach in which personal data from a reported 24.6 million accounts were compromised
    • Jun – At E3 SOE announced that pricing for Station Access, now called SOE All Access, would drop from $30 to $20 a month, but extra character slots for EQ, EQII, and Vanguard would no longer be part of the plan
    • Aug – SOE finally gets a unified server status page
    • Nov 1 – DC Universe Online goes free to play
    • Nov 15 – Veil of Alaris, EQ expansion #18
    • Dec 6 – Age of Discovery, EQII expansion #8, which also ushers in the free to play era of the game as EverQuest II Extended is folded into the live server list
    • Dec 15 – Star Wars Galaxies is shut down
    • Dec 18 – The Vox PvP Station Exchange server for EQII is merged into the Nagefen server
    • Dec 21 – The Bazaar Station Exchange server for EQII is merged into the Freeport server ending the Station Exchange program
  • 2012
    • Feb – SOE announces it is selling its EU customer accounts to a German media company, ProSiebenSat.1
    • Mar 16 – EverQuest goes free to play
    • Mar 29 – EverQuest Online Adventures shuts down on PlayStation 2
    • Mar 29 – Infantry is shut down
    • Mar 29 – Cosmic Rift is shut down
    • Mar 29 – Star Chamber: The Harbinger Saga is shut down
    • Aug 7 – Vanguard: Saga of Heroes goes free to play (a week earlier than planned)
    • Aug 7 – SOEmote is introduced to EverQuest II
    • Sep – SOE introduces Player Studio for EQII, which allows players to create cosmetic items to sell in the in-game cash shop, for which they will be paid a cut of the sale
    • Nov – SOE introduces Krono for EQ and EQII, an in-game item that can be redeemed for 30 days of subscription time, which users can purchase for real world cash and sell at the broker to other players for in-game currency
    • Nov 13 – Chains of Eternity, EQII expansion #9
    • Nov 20 – PlanetSide 2 launches
    • Nov 28 – Rain of Fear, EQ expansion #19
  • 2013
    • Jan 30 – SOE publishes the import Wizardry Online as a F2P title
    • Jan 31 – Pirates of the Burning Sea ceases to be published by SOE
    • Aug – A new vision/plan for EverQuest Next is announced at FanFest, which includes the involvement of Storybricks
    • Aug – The FanFest presentation mentions a dev tool EverQuest Next called Landmark
    • Sep 23 – SOE publishes the import Dragon’s Prophet as a F2P title
    • Oct 8 – Call of the Forsaken, EQ expansion #20
    • Nov 12 – Tears of Veeshan, EQII expansion #10
    • Nov 13 – SOE starts selling early access packs to EverQuest Next Landmark
    • Nov 15 – DC Universe Online launches on PlayStation 4
    • Nov 18 – EverQuest Macintosh Edition is shut down
  • 2014
    • Jan – Station Access/SOE All Access pricing drops to $15 a month, the price of a single game subscription, but keeps the 500 Station Case stipend after the forums erupt when Smed suggests they may remove that benefit
    • Jan 24 – SOE announced they will be shutting down Free Realms, Star Wars: The Clone Wars Adventures, Wizardry Online, and Vanguard: Saga of Heroes, which is seen as the reason they have cut the price of SOE All Access
    • Mar – EverQuest Next Landmark becomes just Landmark
    • Mar 31 – Free Realms is shut down
    • Mar 31 – Star Wars: The Clone Wars Adventures is shut down
    • Apr 10 – H1Z1 is announced, a zombie horror title oddly dedicated to SWG players
    • Jun 18 – The ProSiebenSat.1 experiment ends and all EU accounts are transitioned back to SOE
    • Jul 31 – Wizardry Online is shut down
    • Jul 31 – Vanguard: Saga of Heroes is shut down
    • Oct 28 – The Darkened Sea, EQ expansion #21
    • Nov 11 – Altar of Malice, EQII expansion #11
  • 2015
    • Jan 15 – H1Z1 releases as early access
    • Jan 22 – The class action suit for the PlayStation/SOE security breach of May 2011 is resolved, awarding the lawyers $2.75 million and each affected player 450 station cash… but only for US players and only if you filled out a form and could prove you were affected
    • Feb 2 – Sony announces it has sold SOE to Columbus Nova and the organization will be known as Daybreak Game Company going forward
    • Apr 28 – The Rum Cellar, the fourth EQII adventure pack launches
    • Apr 30 – Daybreak acknowledged and blessed the existence of the Project 1999 EQ retro server being developed by a private group, with the P1999 team and the Daybreak EQ team coordinating updates so as not to overlap each other
    • May 22 – EQ opens the Ragefire progression server, the start of a regular run of special servers that help boost the game’s popularity by pulling back many lapsed players
    • Jul 24 – Daybreak announces that long time studio head John Smedley is leaving the company, Russel Shanks steps up to take over his role
    • Jul 24 – EQII launches the Stormhold progression server and Deathtoll PvP server, the first retro servers for the game
    • Aug 21 – EQII announces the Drunder server, where rule breakers will be sent to play and no customer support will be available
    • Oct – Nine of the lower population EQII servers, including the final PvP server Nagefen, are merged down to three PvE servers, all with new names (Maj’dul, Halls of Fate, and Skyfire), while the Antonia Bayle server remains unto itself
    • Nov 16 – Dragon’s Prophet is shut down
    • Nov 17 – Terrors of Thalumbra, EQII expansion #12
    • Nov 18 – The Broken Mirror, EQ expansion #22
  • 2016
    • Feb 8 – H1Z1 King of the Kill the battle royale game and H1Z1 Just Survive, the co-op zombie horror game, are split into two products, both remain in early access
    • Mar 8 – The EQII Deathtoll PvP retro server is shut down
    • Mar 11 – EverQuest Next officially cancelled, leaving Landmark the remaining active part of that project.
    • Apr 29 – DC Universe Online launches on XBox One
    • Jun 10 – Landmark leaves early access and goes live
    • Jul 1 – PlanetSide is shut down
    • Aug 17 – Legends of Norrath is shut down
    • Nov 15 – Kunark Ascending, EQII expansion #13
    • Nov 16 – Empires of Kunark, EQ expansion #23
    • Dec 19 – Daybreak acquires Lord of the Rings Online and Dungeon & Dragons Online from Warner, setting them up under the name Standing Stone Games, never mentioning in public that they are the actual owners
  • 2017
    • Feb 21 – Landmark is shut down
    • Jul 31 – LOTRO launches the Mordor expansion
    • Sep 22 – The Vulak’Aerr EQ time locked progression server is merged into the Fippy Darkpaw server
    • Oct – H1Z1 King of the Kill renamed H1Z1 again due to a desire to release the game in China, where having “kill” in a game name is frowned upon by government censors
    • Nov 28 – Planes of Prophecy, EQII expansion #14
    • Dec 12 – Ring of Scale, EQ expansion #24
  • 2018
    • Feb 28 – H1Z1 leaves early access and goes live
    • Apr 24 – In response to a question about Russian sanctions Daybreak issues a statement declaring it was never owned by Columbus Nova, in open contradiction to three years of information, and was always solely owned by Jason Epstein
    • Apr 24 – Daybreak removes all references to Columbus Nova from its web site and attempts to edit the Wikipedia page about the company to hide any Columbus Nova connection
    • Aug 7 – H1Z1 launches on PlayStation 4
    • Sep 4 – The EQII progression server Stormhold is merged into the Antonia Bayle server, ending its run
    • Sep 6 – Daybreak announces a deal with NantWorks to create NantMobile G which will take over H1Z1 on PC with a plan to revitalize it, starting by rebranding it as Z1 Battle Royale
    • Sep 6 – NantMobile G project also proposes mobile versions of Z1 Battle Royale and EverQuest
    • Oct 24 – H1Z1 Just Survive is shut down
    • Nov 13 – Chaos Descending, EQII expansion #15
    • Dec 11 – The Burning Lands, EQ expansion #25
    • Dec 14 – Planetside Arena is announced, an attempt to bring battle royale to PlanetSide 2, with pre-orders for early access for sale
    • Dec 18 – Daybreak offers 4,000 lifetime subscriptions for sale at $299 each
    • Dec 24 – Daybreak announces that they have sold out the 4,000 lifetime subscriptions
    • Dec 28 – Daybreak puts 6,000 more life time subscriptions up for sale through Dec. 31st
  • 2019
    • Feb 18 – PlanetSide Arena launch is delayed until summer, allegedly to have a simultaneous launch on PlayStation 4, all pre-orders are refunded
    • Jul 11 – After over a year being offline, Daybreak announces that Player Studio for EQII has been shut down
    • Apr 6 – NantMobile G hands Z1 Battle Royale back to Daybreak having failed to revitalize the game, after which little is heard about the PC version
    • Aug 6 – DC Universe Online launches on Nintendo Switch
    • Aug 30 – A PlanetSide Arena roadmap is released with plans for early access soon, with an official launch in 2020, PC only
    • Sep 19 – PlanetSide Arena arrives in early access just barely making the declared “summer” launch plan
    • Oct 21 – A PlanetSide producer’s letter states that PlanetSide Arena is a stepping stone towards PlanetSide 3
    • Nov 5 – LOTRO launches the Minas Morgul expansion
    • Dec 14 – Daybreak announces that PlanetSide Arena will be shut down in January
    • Dec 17 – Blood of Luclin, EQII expansion #16
    • Dec 18 – Torment of Velious, EQ expansion #26
  • 2020
    • Jan 10 – PlanetSide Arena is shut down
    • Jan 21 – Daybreak announces a series of sub-studios, with Darkpaw Games responsible for EverQuest and EverQuest II, Dimensional Ink handling DC Universe Online, and Rogue Planet Games handling PlanetSide 2
    • May 20 – The Fippy Darkpaw EQ time locked progression server ends its nine year run as it is merged into the Vox live server
    • Oct 20 – LOTRO launches the War of Three Peaks expansion
    • Dec 1 – Enad Global 7 (EG7) announces plans to acquire Daybreak
    • Dec 2 – EG7 presents an unprecedented array of previously private information about Daybreak to its board, shareholders, and the general public proving, if nothing else, that the company made money
    • Dec 8 – Claws of Veeshan, EQ expansion #27
    • Dec 15 – Reign of Shadows, EQII expansion #17
    • Dec 23 – EG7 completes the acquisition of Daybreak Game Company

And that brings us up into the new year.  We shall see what 2021 and beyond holds for the company

  • Sources

The joy of me blogging the way I do is that I have a blog post that corresponds to most every item on the above list that happened in the last decade.  I considered linking to each and every one, but decided against it.  You can use the search box at the top of the page if you want to find posts here about things like EQII Passport.

Before 2010 I was more chaotic in my blogging and, of course, before September 2006 there was no blog, so nothing to reference.  Fortunately, I had done a post about SOE and its MMORPGs back in 2016 where I had recorded the status of their games, and had researched a bunch of other items in the past.  This blog isn’t all just about Blackrock Depths and World War Bee.

And, where that failed, Wikipedia remains a wonderful source.  There are well maintained pages about most of the games and lists of all the expansions for both EverQuest and EverQuest II that helped me quite a bit.  And over at Daybreak there is even a server merge page for EverQuest and another for EverQuest II servers deep in their site.  There are some errors, but the dates seem solid.

As for what to include, I am obviously biased towards the games I play or played.  I did try to include every paid expansion for games, as those were generally pretty easy to find.  Game content updates are more obscure, though somebody has charted all of the episode drops for DC Universe Online on that Wikipedia page.  I just wasn’t that dedicated to the post.  I started getting into special servers, but decided once they became an annual thing in 2015, I declared them as such and moved on.

2021 and Questions for a New Year

Welcome to the first day of 2021.  A new dawn on a new year greeted us this morning.

2020 plus 1

Traditionally the first day of the year sees a post from me about the upcoming twelve months.  Usually it is predictions, but as the history of links shows, I occasionally diverge and try something else.

This year is going to be one of those “something else” years.  This year I have questions.

Oh, I have many questions about what 2021 will bring.  Many questions.  But for the purposes of this post, I am going to keep them focused on video games.  And, when it comes down to things, asking a question is just one step removed from a prediction.  A prediction is just an attempt to answer the question, but even formulating the question requires a bit of speculation as to what the future may bring.  You just look less wrong because, hey, you were only asking a question!

What will a return to normalcy bring to the video game industry?

I remember from my history classes that a return to “normalcy” was one of the campaign slogans of Warren G. Harding, which made it in to the word we have today.  And here in 2021, we have been offered a vision of normalcy. If the vaccines work, if the pandemic subsides, if some new horror doesn’t step in to fill the COVID-19 void, we could, come the summer, be back to some of our old pastimes.

Movie theaters. Restaurants. Sporting events. Family gatherings. Air travel.

All that and more may return.

That will leave less time for video games.  2020 was a story of success for many video game companies as we all stayed home.  Does the end of the pandemic portend a market crash and layoffs and all the other things that come with an industry down turn?

Also, some of us will likely have to go back to the office.  I know that some managers and most of HR hate having the employees out of sight.  Back to open plan fish bowls for some people. That will mean an increase in productivity for some, including in the video games industry, which has blamed the pandemic and work from home for some delays over the last year.  Will they get back on schedule or just find new excuses for delays?

Overall, what will the impact be?

This is probably the big general industry question.

Will Shadowlands hold players?

Blizz made a few risky changes last year, including the level squish.  But making Shadowlands an expansion where getting to level cap is basically the intro and the rest of the expansion is all what one might call “end game” is another level.  It is a change and a gamble and we will have to see how it plays out.

Will we get more classic WoW content?

The rumors and leaks seem to indicate that we will see The Burning Crusade Classic at some point this year.  However, there are serious questions as to when we’ll see it and how it will be rolled out.  There have been surveys asking players how they should handle TBC.  They won’t want to kill off the vanilla vibe that has worked so well for them, so transfers or new servers seem likely, but we don’t know anything really.  As for when, there was a rumor that May was a launch target, but that seems laughably quick for the slow and steady Blizzard bunch.  Maybe some time in the fall?

Will Diablo Immortal ship?

It has been two years now.  More of us have phone now.  Some of us have even upgraded our phones since BlizzCon 2018.  Are you going to ship this thing or what?  If it is any good at all it will do okay.  The BlizzCon 2018 reaction was largely due to you pitching to the wrong audience after having hinted about Diablo IV.  Just let people have it.  It couldn’t possibly be taking this long to finish it, could it?  This is just Blizz being conservative and not indicative of some horrible problem with the game, right?

Does Blizzard have anything new planned?

In a way, 2020 returned Blizzard to 2010, where so much of the revenue came from World of Warcraft that almost no other game really mattered when it came to the bottom line.  While Blizzard isn’t quite back to WoW being the only game in their portfolio that matters yet, but Diablo IV is years away, Hearthstone can only put out so many expansions per year, Overwatch is static, and they’ve put StarCraft on the shelf with Heroes of the Storm.  If they don’t have something big, then we’re back to all Azeroth all the time.

What does Daybreak under EG7 really portend?

It is ever so with the things that Men begin: there is a frost in Spring, or a blight in Summer, and they fail of their promise.

-Gimli, The Lord of the Rings

Here we are in a new year with a new company running Daybreak and they sound like they want to be serious about video games and expand their holdings and invest in the titles and IPs they have just acquired.  But what will really come to pass?  Lots of people have been bitten hard by the reality of the video games industry.  You have to make enough money to maintain your current project as well as fund any new projects.  Daybreak was hard pressed to do that on their own, will EG7 be able to change that?

Will Norrath continue to boom?

As bad as Daybreak management could seem at times, there is an argument to be made that EverQuest and EverQuest II rolled right along, got an expansion every year, got a big updates, ran holidays, and did all the things expected of such games quite steadily during the Daybreak era.  It was, in its way, a golden era with little in the way of shake ups to disturb them.  Gone were dumb ideas like SOEmote… as well as any hope for a new EverQuest game.  What happens now?  EverQuest seems secure, profitable as it was, but EQII was the low earner with the smallest customer base in 2020.  Does EG7 keep pouring money into that?  Is there plan?

What happens with H1Z1?

Somewhere behind EverQuest II is H1Z1, which didn’t even get a mention in the EG7 presentation when it came to numbers.  The acknowledged it as a valuable Daybreak IP, but how much of that was fluff?

Where is Cold Iron Studios?

Not even acknowledged by EG7 so far, so the question about them remains.  Where are they in the EG7 corporate structure?

What does ArenaNet do after all the departures?

Yes, there is still a plan for another expansion for GuildWars 2, and the game isn’t going anywhere.  But when the leadership wanders off… usually for reasons of dissatisfaction… that is a bad sign.

Where does CCP go next with New Eden?

The Trigalvian invasion is over.  A new region, Pochven, has been carved out of New Eden.  The huge, two year event has come to its conclusion  So what is next?  What will be the next venue to expand the lore of New Eden and give players something fresh to explore?

Will CCP stop strangling the New Eden economy?

CCP spent 2020 treating the player base like a bunch of ISK addicts and has been trying to dry us out.  The impacts of their efforts have been quite clear in the monthly economic reports.  The company has said that this situation is temporary, but how will they get to something less onerous without letting players return to old habits?  If they introduce new revenue streams that players reject, then things won’t get better… and CCP has something of a history of new ideas that don’t pan out… but if they restore the old streams then they might has well not have bothered.

How Will World War Bee End?

Assuming it ends in 2021.  We are about at the six month mark of the war and, while the invaders have pushed their way into Delve, the Imperium hasn’t rolled over and given up.  The great predicte evac has yet to occur.  The extermination goal, oft repeated by Vily, seemed unlikely to be accomplished at the start of the war and seems no more likely today.  That is especially true when Pandemic Horde, which has done the bulk of the work in the war, says that is not one of its goals.  At what point does PAPI declare victory and move on to other things?  And can TEST afford to see the war wind down with the Imperium vowing revenge on them for starting the war in the first place?

The war has set recorders for losses in both ship numbers and ISK value as well as total players participating in battles.  Will it end with a bang or a whimper?

Will Nintendo announce a remake of Pokemon Diamond & Pearl?

We’re overdue on this.  Seriously, one of my major gripes about Game Freak dumping development for the 3DS line of devices is that when it came to remakes Pokemon Diamond & Pearl were next on the list.  They are the oldest titles of the Pokemon main line RPG titles that have not had a remake.  My daughter and I are so on board with this as a game idea.  But Nintendo and Game Freak have a different play and Pokemon Sword & Shield looks to be taking its time to play out, with two expansions so far.  I fret that we’ll never get this remake and that the current title is being treated like an MMO and will carry on for years.

Will crowd funded MMOs finally find their way?

Seriously.  There seems to be three paths for crowd funded MMOs up to this point.  There are the quirky little hobbiest games like Project: Gorgon or Shroud of the Avatar.  There are the “we totally missed our promises and have no ship date in sight” titles like Star Citizen and Camelot Unchained.  And then there are the ones that just took the money and folded up shop.

Right now I wouldn’t back a crowd funded MMO, endorse one, or even write a post mentioning one to draw even an iota of attention to it because the track record on that front is so abysmal that I feel complicit by my past enthusiasm.

Is there anything new possible for MMORPGs?

Yes, we have MMOs and games treated as services as pretty much the default way to deal with titles these days for a lot of studios.  Grand Theft Auto V, a game from 2013, appearing on the monthly SuperData Digital Revenue chart every month for the last five years of so is testament to that.

But I am talking about MMORPGs, where you play a character in a shared, persistent virtual world.  Ultima Online, EverQuest, World of Warcraft, and EVE Online are key in defining the genre.  The problem is, all of those titles are still there.  Furthermore, WoW Classic and EverQuest retro servers, seeking to recreate the early experiences of those games, are significant draws in the genre.

Is it possible to create something new in the genre, something different?  Or would anything different enough to be interesting end up classified as something else?  Is WoW the unbreakable definition of the genre now?

Will I play anything new this year?

You think the MMORPG genre is stale?  Look at my posts about what I have been playing.  If it were not for WoW Shadowlands, you might mistake some of my posts from 2020 as being from 2006 or 2010.

I suppose I did play a couple of new things.  There was Minecraft Dungeons and Among Us.  But for the most part, it was the same titles long covered here.  Am I the problem with the MMORPG genre?

Will VR get a killer app this year?

I should go back and see if I still have any of those VR sales projections from a few years back which predicted everybody and their mother would have one of those devices strapped to their heads by now.  VR headsets have gotten better and cheaper and some good games have come out, but I have yet to see anything that would make me jump on that bandwagon still.  Consoles seem to be the way forward at the moment.  And now I get unsolicited email from analysts talking about “XR,” which is VR mixed in with AR, to give them a bigger market to talk about… and probably so they can make new projections that cannot be compared apples to apples with their old ones.

Will the industry be smart enough to keep regulators away?

I am looking at you EA.  You managed to make lockboxes a headline issue again in the middle of 2020 by putting an ad for them in a children’s toy catalog.  Once the pandemic is in the past… and I dearly hope it will be some time this year… legislators looking to make some headlines for attention may turn back to lockboxes and gambling and the safe refrain of “won’t somebody think of the children?” yet again.

Will We lose Section 230 Protection?

Not strictly a video game issue, but it would have its impact on that industry as well as others.

You can read all about Section 230 of the Communications Decency Act of the United States over at Tech Dirt, which has a post about it and the many bogus arguments against it, but in a nutshell it protects people hosting sites on the internet from liability for what users may say or write.

For example, if I post something libelous on Twitter, Section 230 says you can sue me but not Twitter.  Easy to understand, right.  Twitter, or Facebook, or Massively OP, or you on your blog, are not liable for the wrongs of users.  It essentially allows the internet to be interactive.

And it is under political assault here in the US, most visibly by Trump, who is angry about the fact that Twitter very occasionally tries to make him comply with the terms of service he agreed to abide by when he signed up for the platform.

Those assailing Section 230 like to pretend they are defending free speech, but the opposite is actually the case.  There is a high correlation between rich people against Section 230 and rich people who like to sue anybody who says anything negative about them.

If Section 230 is repealed, if you write something objectionable on the internet, the hosting site can be sued.  They will then have the choice between spending money to fight a legal case over your dumbassery or deleting what you wrote and promising to keep you and anybody else from posting such things.  How do you think that is going to work out?

Removing Section 230 would basically give the litigious veto power over internet content and hosting services would start to behave in ways to avoid getting sued, which would mean disallowing comments in many places and preemptively deleting most anything political.

And if you don’t think that is going to spill over into your favorite online video game forum, you are wrong.

The only bright side is that while many people hate Twitter and Facebook, other tech and telecom companies are starting to realize that this would affect them as well, so they’re beginning to pull the appropriate strings on the politicians they’ve paid for in order to keep things as they are.

What will I do when the blog turns 15?

I mean besides write a long post full of stats and start including a “Fifteen Years Ago” section into my month in review posts?  Having almost 5,800 blog posts gives me data set of information that I always feel I could do more with.  Though, that said, you’ll get a bit of historical data next week, driven largely by the tenuous historical record that is this blog.  We’ll see how that flies.

What Else?

That is all I have right now.   am sure there are a lot more questions I want the answers to in 2021.  What did I miss?

Anyway, we shall see if I get answers this year. Some of them are clearly going to have simply “no” as an answer which, while unsatisfying, is still an answer.  At least I do not have to score questions, just figure out what happened with them.  Roll on 2021.

Daybreak Revealed in Enad Global 7 Presentation

As I mentioned yesterday, we did not know much about Daybreak Game Company over its close to six years of existence.  It was a privately held firm and was reluctant to be straight with outsiders as to who even owned the company.  And before that, when it was SOE, its details were hidden within a giant conglomerate where it was such a small piece of the pie that it did not even get its own line item.

So having Daybreak purchased by a small public company, where it will be a large part of the pie and which needs to disclose details to the public means that we’re learning more about the company this week than we have known for ages.  Roll on Enad Global 7.

Enad Global 7

Yesterday’s press release about the acquisition gave us some fresh information and confirmed things we suspected, like the fact that Daybreak owned Standing Stone Games.  But there is more to be seen.  Over on their investor relations page you will find a presentation by EG7 about the state of Daybreak and its games that is stunning in its clarity after all these years.

It is so meaty that I downloaded it immediately lest it be posted in error and disappear.

The presentation starts by introducing EG7’s strategy and execution of their plan so far, which is an interesting read showing their acquisition pace up to this point.  And then there is the About Daybreak section, which starts with a nicely summarized history of the company.

Page 12 – a Brief History of SOE/Daybreak

Just enough detail I think.  A few side ventures are missing, and there is a whole book to be written about the strange path of H1Z1 over the last five years, but otherwise the basics are laid out.

They mention the licensed IPs the company has, as well as the valuable IPs Daybreak has created.

Page 14 – Valuable home grown IPs

EverQuest has booked about a billion dollars in revenue over its life.  Not bad.  A lot of games never come close to that number or 21 years of longevity.  The H1Z1 notes are a bit sad… inspired actually successful titles.  Sad enough that they stop mentioning H1Z1 after that.  And I still have a retort to that PlanetSide 2 world record which was a planned event and not any sort of organic player surge.

Cool stuff so far.  And then we get the real dirt!  Actual numbers about earnings and players.

Page 15 – Year to Date numbers as of Sep. 30, 2020

There are some surprises there, though not many.  We had been told that EverQuest was still pretty strong and it was implied that it was doing better than EverQuest II.  But now we know where EQII ranks in the overall lineup, which I guess is ahead of H1Z1, which doesn’t even get a mention.

And then there is DC Universe Online.  Smed, back in the day, told us that it was the top free to play game on PlayStation, and I guess it has held on to a solid base of players.  But if you want that all in chart form, there is a page for that.

Page 16 – Revenue and Earnings compared YTD through Sep. 30 2020

DC Universe Online has the highest revenues, but when it comes to earnings after expenses EverQuest is out in front.  That’s the joke.  A 21 year old game brings home the bacon.

Years ago Michael Zenke had been to SOE and was asking them about why they kept on with EverQuest when you could argue that EverQuest II was a better, or at least more up to date game.  He told me that EQ was so cheap to run that it was going to be profitable to keep going for a long, long time.  And here we are.

That DCUO isn’t at the top of the earnings is likely an indication that it remains strongest on the PlayStation, where it has to give Sony a cut of the revenue from the cash shop.

The presentation digs into further detail.  While the games still attract new players, a majority of the player base has been playing their game of choice for more than three years.

On the money front, the average monthly revenue per paying user for 2020 so far looks pretty strong.

Page 17 – ARPPU YTD through Sep. 30, 2020

Some whales out there spending money.  Of course, that is just the count among users that pay, and the conversion to paying user is important.

Page 17 – Payer conversion rate – YTD through Sep. 30, 2020

For EQ and EQII that probably translates largely to subscribers through the All Access program.  EQ just beats EQII on revenue because it has a lot more players.  Likewise, DCUO has the most players by far, so even at a much smaller conversion rate it makes more money.

I think the lesson here is more players is better if you want to survive.

The presentation also has some plans for the future.  They want to do an upgrade for DCUO to make it look and play better on the new generation of consoles by this time next year.  They also want to spruce up LOTRO as they see a possible boon in Amazon’s upcoming Lord of the Rings TV series.  There is even an unannounced new project.  Maybe it is related to the Marvel IP license Daybreak apparently holds.

The plans and view of the combined company are something as well.  As far as revenue goes, EG7 buying Daybreak pretty much doubles the size of the company in staff and revenue.

Page 27 – YTD revenue for EG7 groups

That is a big bite.  Daybreak’s ongoing success will very much influence EG7’s success.  They aren’t buying the company to neglect it.

While the era of the Jason Epstein Daybreak will end on December 31st, Daybreak will continue to exist as an entity withing EG7.  Within the corporate structure the Daybreak stuff will have its own area.

Page 28 – The Daybreak Structure

I am curious as to whether or not that was the actual structure within Daybreak today simply being grafted on to the EG7 tree.  I know Jen Chan let slip at one point about working with the SSG team on some things. (No location for Cold Iron Studios on that chart though, so no idea still if it was part of the sale and too small to mention, was folded in with Dimensional Ink due to the Cryptic background of both groups, or was retained by Jason Epstein.)

As for why keep that structure, that is certainly the best plan for the short term.  When you have an asset that needs to keep performing you do not introduce chaos as your first step in integrating.  Things will likely change over time.

Daybreak itself will likely remain a legal entity for a long time.  Having been through many mergers and acquisitions over the last 30 years… on average that has happened in a way that involved me directly about every three years over that time… there are a lot of reasons to not simply dissolve a corporate entity.  There are a lot of contracts and agreements made in the name of that company that have to be transferred over time, and the other side of the agreement doesn’t care about the change.  So you wait until a contract comes up for renewal and then you transfer it to the new owning company.  That can easily take a decade to work itself out.

And Daybreak, for all its foibles over the last six years, remains the unifying identity for the teams under it.  That is who they are in the EG7 ecosystem.

Page 24 – EG7’s world wide organization

That big owlbear eye that is the Daybreak logo will be looking out at us for a while longer.

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The Daybreak Studio Split Comes to Pass

It isn’t even Friday afternoon and we’re getting news from Daybreak.  The splitting of the company into discreet studios focused on specific games is under way, something that has been somewhat expected since July of last year.  Of prime importance to me are the fates of EverQuest and EverQuest II, which will now be run by Darkpaw Games.

Darkpaw Gamed for Norrath

A producer’s letter from Holly Longdale announced the change, though details were scant.  Quoted from the site for posterity:

Welcome to our first bark as Darkpaw Games!

Unsurprisingly, our motto is “Never Give Up” given that our studio name is borne from our beloved in-game character, Fippy Darkpaw – the gnoll that won’t quit. For over 20 years he’s been fighting the good fight for his tribe. Same goes for our studio, our games, and our tenacious players.

We are the OG. The passionate. The dedicated. And the proud! Grrr….Bark Bark…Grrr.

I’m sure you want to know what this change means…

Darkpaw Games will operate autonomously and focus on the EQ franchise, its community, and its future. I will be at the head of Darkpaw and Daybreak will be our publisher with its incredible support and operations teams we’ve come to know and love over the years.

We will work toward expanding the franchise and invest in our future as a studio.

Currently, nothing will change for your accounts and membership. No worries there.

Our staff has grown a bit and we’ll continue to adjust as Darkpaw evolves and grows into its development strategy and vision. What’s that, you ask? To create immersive entertainment that is socially driven and diverse, enriches lives and fuels imagination.

That vision comes from decades of working with and listening to our communities about how EverQuest games have impacted, changed, and enhanced their lives. We want to continue it. It’s what we do best.

Immediately, and in practical terms, our focus is on the fans and investing in our current games and the business of starting new ones. We’re already executing on the plans we had for 2020, like expansions and events for EQ and EQ2.

We’ll start evaluating the interest in, and logistics of, a fan faire and move forward with that as soon as possible.

More than anything, we want to deliver on what players love and go even further. We are going to think outside the box a bit, so hold onto your tails!

This month, we plan to sell a limited run of our EverQuest 20th and EverQuest II 15th anniversary shirts on Amazon. If it goes well, we’ll keep exploring official product ideas. We’ll send out links and details as soon as we have them!

EverQuest’s first anniversary in its THIRD decade will come in March and we’ve got plans for that, so stay tuned! EverQuest II has its own plans that will roll out soon – Yeehaw!

Now, with all my heart, thank YOU! We hope you continue to embrace us as we grow into our indie paws. We want to communicate in new ways with our own Darkpaw voice, too. Many of you are familiar with our personalities and we want to live our best life as gamers and developers with you.

Join the pack! More news as it comes!

Sincerely, as ever,

Holly “Windstalker” Longdale
Executive Producer, Darkpaw Games
“Never Give Up”

What this means for the business itself is unclear.

The PlanetSide 2 team had a similar announcement, declaring that they are now developing as Rogue Planet Games.

Rogue Planet for PlanetSide

Then there is DC Universe Online and the Austin studio that goes with it got a post from Jack Emmert that they will now be Dimensional Ink.  No cool splash screen yet from them, and they ended up not going with the previously registered Golden Age Studios.  Jack Emmert is probably most famous for his association with Cryptic and City of Heroes and his letter stands out among the three when declaring some level of independence.

Those three teams cover most of the company.

Omitted from mention at this point is the H1Z1 and Z1 Battle Royale games, whose web site has no similar note from a producer.  I suspect that they will roll along with Rogue Planet, but we shall see.

All three of the posts make sure to declare that nothing is changing right now and that everybody should remain calm.  That is the standard starting point for everything.

There is a fourth post from Daybreak as well, which sums up the other three:

Daybreak Introduces Three New Franchise Studios –
Dimensional Ink Games, Darkpaw Games, and Rogue Planet Games

Newly Branded Development Teams Reflect “Franchise First” Model to Strengthen Autonomy of Studios with Signature Games and Genres from MMORPG to FPS and Superhero Titles

SAN DIEGO, CA – Jan. 21, 2020 – Daybreak Games today announced its “Franchise First” initiative in the form of a business structure that establishes three new individual creative franchise studios — Dimensional Ink Games, Darkpaw Games and Rogue Planet Games. Building on the success of the teams that introduced genre-defining games and franchises including DC Universe™ Online, EverQuest® and PlanetSide®, this business model is the result of a long-term strategy designed to amplify the existing franchises while enabling each studio to further foster its unique identity, community and culture.

By allowing the identities of each of these studios to thrive under their individual studios, each team will have the flexibility to continue their work developing current and upcoming games, recruiting new talent and building upon the legacy of their respective franchises.

Dimensional Ink Games in Austin develops and operates DC Universe Online, the one-of-a kind DC Super Hero-based MMORPG enjoyed by millions across PC and consoles. Dimensional Ink will be led by Jack Emmert, the mastermind behind City of Heroes, Star Trek Online, and Neverwinter. The studio will continue to support DCUO while developing its next high-profile action MMO project starting in 2020.

“Crafting iconic MMORPG experiences has always been Daybreak’s lifeblood,” said Emmert. “We intend to continue that legacy and grow Dimensional Ink, Darkpaw Games and Rogue Planet Games into the future. Whether it’s DC Universe Online, EverQuest, EverQuest II, PlanetSide 2 or our future projects, we’ll be giving players their ideal fantasy game experiences for years to come.”

Darkpaw Games will be focusing on EverQuest, one of the most legendary MMORPG IPs recognized worldwide. Holly Longdale will continue to lead the studio as its Executive Producer. Darkpaw’s mission is to continue to expand upon the unique and amazing fantasy adventure that is EverQuest and EverQuest II and develop the next innovation for the franchise.

Rogue Planet Games, the studio branch in San Diego that broke new ground in the massively multiplayer first-person shooter genre with PlanetSide and Planetside 2, will be working to craft even more new and unique experiences in the space under Executive Producer Andy Sites at the helm. The team is looking to develop its next genre-defining experience for fans of shooters under its new banner.

As for what this really means, that is yet to come.  All three letters say that Daybreak will continue to publish and support the studios.  Does that put them on an equal footing of independence as Standing Stone Games and their work with Lord of the Rings Online and Dungeons & Dragons Online?  We would probably have to know something about the actual relationship between Daybreak and SSG to answer that.

Daybreak, however, will continue to be a thing.  How that evolves and what that really means is still foggy.  Are they set to become something more akin to Gamigo or Perfect World Entertainment, a holding company for milking old MMOs?  Is there a plan to perhaps sell off one or more of these new studios?  Or is it all window dressing?

The Darkpaw producer’s letter sounds very promising all the same.  Ongoing expansions and otherwise doing what they have been doing is about all you can ask for at this point… aside from a new EverQuest game, but that seems unlikely.  After some early stumbles, the EverQuest franchise has done better under Daybreak than it had been doing during the last few years at SOE.  I hope that success for Norrath will continue.

Of course, we have been waiting for this to come to pass.  It was on my list of news I was expecting in the last quarter of 2019, but had to roll it over into my 2020 predictions.  Now to see what it really means.

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